Bavarian BonBon Bags

Kirstein cough drops originated in Nuremberg, Germany in 1899 when pharmacist Dr. Carl Soldan combined eucalyptus and menthol to create a soothing lozenge for sore throats. Malted sugar cough drops were added to the company product line in 1932 and are still being produced today from the original recipe of boiling the malt sugar over an open fire and breaking them into chunks. Soldan's cough drops have been enjoyed by many generations and long considered to be a Bavarian treat, however I would argue that their glassine bags are the sweetest treat. These examples have no date, but could be as old as the 1930s when anthropomorphic advertising characters were routinely popularized for marketing purposes. Early in the 1930s, the Soldan company began printing their paper bags in their own print shop which was considered as an innovative move at that time. I presume they also had a small in-house art department of accomplished illustrators and lettering artists as well. Each of these glassine bags are currently available from this Viennese dealer. Below is an undated advertising postcard for Kirstein's cough drops from Vintage Postcards.

Below are two metal signs introduced in 1955. These Bavarian malt sugar characters are taking to the hills to promote the Kirstein cough drop family enterprise. The images were designed by Margit Sidonie-Doppler (born Kovaks), a student of Austrian-born designer, Joseph Binder. Via Genuin.

And here are two more BonBon bags from another Viennese sweet treat manufacturer also available here.

Space-Age Packaging Design

With the rise of science-fiction novels and movies in the post-industrial age and the allure of space travel decades later, it is no wonder we all became fascinated with the anthropomorphic robot. The robot represented an optimistic future which would relieve the factory worker and provide us with more leisure time. After WWII, it was the toy robot which helped pave the way to economic recovery in Japan and the US, when toy manufacturers quickly seized the opportunity to meet a demand for this funny little tin man. The robot future was securely sealed when Japanese manufacturers introduced the first battery operated robot in 1955, and they continue to be on the march today. Robots purchased for under $5 even fifty years ago, now bring as much as $25,000 to $50,000 at auction when in their original packaging.
     Judging from the early robot package designs offered up at Morphy's Auction house this past February, the vision of space-age exploration was still being invented. More than likely, the packages were illustrated by nameless artists envisioning the future toy, sight unseen. As the package example above illustrates, the robot has little resemblance to the actual tin toy inside, however it is not without its charm and personality. Sidenote: No wonder his "eyes light up" when he sees that $110 price tag. What a steal! It just sold at auction for nearly $600. 

Space-age Wordspacing

Sometimes, I believe we take lettering and typography rules much too seriously. These space-age package designs are a true folk art, and were just as theatrical as the mechanical marvels they portrayed. The Japanese artists who hand-lettered much of the English text on the early box designs, gave little forethought to word and letterspacing or alignment, because they probably didn't even speak the language. They ventured where few lettering artists had gone before, bringing a whole new meaning to the term outer space. Graduated italic titles with airstream strokes characterized space-age travel; dramatic lightening bolt lettering symbolized electricity; and rivets and gears suggested the perfect industrial machine-age toy. 

The "Non Stop Robot" is fun for the entire family...until the batteries die out. And I'm still waiting for all that extra leisure time.

Confectionery Delights from Vienna

Long after the flavor of a fine chocolate disappears, the packaging remains as a treasure to savor for years to come. Many are just as irresistible as the chocolate treats they contain. Choosing a favorite box design is like picking a favorite chocolate, but this Julius Meinl Pralines box from Vienna with the Russian motif and lovely hand lettering rates high. Many of the designers' names are long forgotten sadly, but the beauty of their ephemeral packaging compelled someone to save these boxes for decades. All of these paper confectionary containers and more are available from this Antique Pool dealer in Vienna. They truly belong in a chocolate museum somewhere.

A small box with embossed design to hold liquor-filled bonbons from Heller.

Oscar Pischinger, manufacturer of chocolate wafers and cakes.

Demel, the oldest Viennese confectionery, was founded in 1799. They are admired as much for their decadent chocolates and candies as for the packaging designed by Swiss baron Federico von Berzeviczy-Pallavicini (1909-1989). Pallavicini was a visionary artist and designer, and studied fine arts in Vienna where he was strongly influenced by the Wiener Werkstätte movement. In the late 1920s, he was introduced to Demel by architect and designer Josef Hoffmann—launching his career as a visionary designer of wrapping papers, packaging and ornate window displays. Pallavicini's work is consistently recognized by his use of lively overall pattern and hand lettering with a distinctively flamboyant style. His box designs with hinged lids seen above, are likely dated sometime in the 1930s. 

In 1936, Mr. Pallavicini married Klara, the Jewish niece of owner, Anna Demel, in order to protect her from the menacing threats of Nazism. She was allowed to enter a convent under his name and survived the war. Pallavicini moved to Italy in the late 30s and pursued a career as a magazine illustrator and art director. He later settled in the New York and worked as an art director for Elizabeth Arden, an interior designer for Helena Rubinstein, a stylist for Look magazine and an art director and illustrator for the short-lived, but highly-admired Flair magazine. After Klara died in 1965, Pallavicini managed Demel until 1972, when he sold the family firm. Some of his package designs continue to be in use today.

   

The last 3 images are for a very rare unfolded cardboard candy box designed by Pallavicini. It characterizes a "Punch & Judy" puppet theater when properly assembled. Below are a few additional early Demel box designs pre-dating Pallavicini's work.