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| Source: 20six Fresh |
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| Source: Fun For All |
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| Source: Chromix |
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| Source: Darla Lorbeski on Seahawks fan page |
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| Source: Me |
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| Source: Idalina on KUOW FB page |
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| Source: Tacoma News Tribune |
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| Source: 20six Fresh |
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| Source: Fun For All |
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| Source: Chromix |
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| Source: Darla Lorbeski on Seahawks fan page |
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| Source: Me |
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| Source: Idalina on KUOW FB page |
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| Source: Tacoma News Tribune |
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| Bettina Hansen/The Seattle Times |




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| The Roues Libres alphabet from the inventive mind of French illustrator Nicolas André. His cycle alphabet was produced as a three color silkscreened accordion book and animation. See more of André's imaginative books including this favorite pop-up in a paper sardine can. |
| What's more American than jell-o except Presidential profiles in red and blue jell-o? Artist Henry Hargreaves recently released this infographic of Presidential portraits with red/blue indicators of their political divide. In addition to the red and blue colors of the Republicans and Democrats, the key also indicates that left-facing presidents served one term only (Obama is right-facing mind you), the smaller silver stars indicate they died in office and the jell-o splatters signal their assassination. If you are hosting an election night party, consider preparing one of these sort of presidential strawberry or blueberry gelatinous desserts to your guests. For a real crowd-pleaser, just add a little vodka or tequila to the mix and you've got jell-o shots for the entire crowd. Hargreaves may also be familiar to you as the character who created the blackletter Bacon Alphabet, and the amazing toasted icons—white bread portraits of the rich and famous. I smell a food theme here. Hmmm...jell-o shots with toasted blackletter crudites? Best way to learn more about Henry Hargreaves is to watch this space. A big hat tip to Cool Hunting for an earlier report on his story. Meanwhile, make your vote count today! |

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| Kerning people! That C is ready to fall off the cliff. Spotted at the Lakefair midway in Olympia, Washington. ::Via the Letterology archives. |
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| The F UN SLIDE. ::Via Wired Magazine online by K. Maziarz. |
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| The Zipper needs to zip up its kerning as well. ::Via Matt Marshall's Flickrstream. |
| You can fly a plane right through this Super Sizz ler signage in Bowie, MD. ::Via Bowie Living. |
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| Is it that hard to come up with another font aside from Souvenir for the word SouvenirS? Perhaps one with true small caps even? Seen at the souvenir stand at the Lakefair Midway in Olympia, Washington. ::Via the Letterology archives. Todays Summer rewind originally appeared on 8.3.2011. |
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| Fascinating. Some people look at cold metal type and see words to print on paper. New York artist Hong Seon Jang looks at metal type and sees a miniature cityscape. Labyrinth, a current exhibition of Jang's installations is on view at the David B Gallery in Denver through June 16th. Among his contemporary works on display, Type City is Jang's sprawling metalopolis seaport made of tall lead type buildings and boulevards bisecting the city into a topographic and typographic landscape. With the patience of a skilled hand typesetter, he set the tall buildings of metal type upright so they are capped with individual letters. Long lead piers stretch out to the sea, and empty city blocks and sidewalks of spacing material frame the city center. Jang enjoys manipulating ordinary materials in order to create new contexts, and I'm quite happy to momentarily suspend my beliefs and go along for a ride to Type City with him. Next stop: Baskerville... ::A hat tip to my good friend Bonnie for bringing Hong Seon Jang's exhibit to my attention. Click on images for greater detail. |
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| Second year design student Ryan Anderson did some forensic undercover investigations of his own this quarter in the creation of his experimental type assignment. What he uncovered has all the makings of a crime scene whodunit-type drama with twenty-six extremely suspect characters. In true type crime noir fashion, he cast himself in the part of Weegee, the NY crime scene photographer, taking many blown-out flash photos of the mayhem that occurred. Also typecast as a forensic specialist, he carefully examined all the evidence to solve a puzzle only a type sleuth could reveal. Lying in a pool of parts in a friend's garage, this broke-down, Smith Corona Super Sterling typewriter (1965-2012) suffered a bitter end. Ryan's friend was quickly vindicated of the murder when he claimed he had no clue how it even landed there. It just appeared one day. Ryan admits he then tampered with the evidence by removing the typewriter and parts and re-staging the entire crime scene in front of an old Royal typewriter he owned. To solve the mystery, he tinkered with every arm, leg and lever of the typewriter until he found a key to each character of the alphabet. In the process of uncovering the case and unravelling the inked ribbon, he found fingerprints all over the case. "Holy crap! I'll never solve this mystery now!" he said to himself as he carried the remains of the Smith Corona, smeared black with fingerprints, to the trash. As it goes, he never completely solved the murder case, but he documented each suspect character of this hardboiled mystery and got a grade A for his efforts. His appropriately titled, "Dead Type" poster, as seen below, may be hanging in a post office near you soon. ![]() |